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Men at War: What Fiction Tells us About Conflict, From The Iliad to Catch-22
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- Published on: 1800
- Binding: Hardcover
Most helpful customer reviews
1 of 1 people found the following review helpful.
The Literary Warrior
By T. Berner
I agree with the previous reviewer that the editing could be improved, but what publisher these days bothers to treat its authors and their readers properly? This generations Maxwell Perkinses are busy schmoozing new authors, not perfecting the works of the writers they already have.
That said, this book is very valuable, discussing how writers can capture the personalities of warriors, heroes, victims, survivors and villains other participants in warfare. He devotes a chapter to each of the types of participants listed above and within each chapter, five or six subchapters each devoted to a single character from literature, from Homer's Achilles to Fraser's Flashman, using each character to highlight aspects of the subject. He manages to cram a lot of information and insight into a very readable book. There are characters (and maybe even categories) one misses - I would have loved to read the author's views on Colonel Nichols from James Gould Cozzens' Guard of Honor, but he was a moral hero more than a physical one, so I don't know where Mr. Coker would have placed him.
Mr. Coker's judgments are, to my mind, sound, even where I don't agree with him. There is only one point on which I strongly disagree. Like me, Mr. Coker doesn't think Catch-22 is great literature, although he subscribes to the anti-war message of the book, which makes him a little more tolerant of the World War II setting of an anti-war novel. There is a particular character in Catch-22 whom I find to be particularly disturbing, an old Italian peasant who argues with Nately about the senselessness of war. He tells Nately (with Yossarian looking on) that it doesn't matter who wins wars, that he was sitting on his doorstep when the Germans moved in and that he was sitting on his doorstep when they moved out. Like all critics who want to like the book, Mr.Coker calls the peasant "cynical," but that is not how the character is written at all. He is the moral center of the book. Nately argues until he is blue in the face and the peasant gets the best of him. If the peasant had merely pointed out that he was not Jewish and therefore was not hauled away by the Nazis to a death camp, then he would obviously appear to the reader as cynical and Catch-22 might have been more compelling than propaganda for high school freshmen. When Joseph Heller failed to make that point about the necessity of war, his book became morally repugnant.
Don't let that cavil put you off this book, however. It has some thoughtful things to say about war and also introduces or reintroduces the reader to a number of great works of literature.
1 of 2 people found the following review helpful.
Four Stars
By D.O.L.
Valuable read but poorly edited
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